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The Blackest Crow 2004

by Atwater-Donnelly

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    THE BLACKEST CROW (2004)
    The Blackest Crow is a treasury of traditional American and Celtic folk songs, as well as original pieces. Enjoy their resplendent vocals and thoughtful presentation, played on guitar, mountain dulcimer, old-time banjo, tin whistle, mandolin, fiddle, piano, harmonica, bones, bodhran, wooden spoons, and feet.

    In their ongoing quest as gatekeepers of traditional folk music and dance, Aubrey and Elwood treat their life's work as a rescue mission: finding old songs, writing new songs, and as always, giving voice to the quiet. The songs were collected during many years of performing throughout Appalachia, as well as other places in the United States where traditional folk music still melds with daily life.

    Includes unlimited streaming of The Blackest Crow 2004 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 14 Atwater-Donnelly releases available on Bandcamp and save 10%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Boat You Row Atwater-Donnelly 2022, The World Is Old Tonight, Each Other's Story 2011, The Weaver's Bonny 2009, The Halfway Ground 2007, When Winter Calls 2005, The Blackest Crow 2004, And Then I'm Going Home 2001, and 6 more. , and , .

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1.
Oh the springtime returns to the Laggan again And the lark sweetly sings o'er the green fertile plain And I'll take the road that is dearest to me, The road to Drumleman that winds to the sea. For I've made many friends on every green mile And the folks always greet me with a wave and a smile If I spend all my days here, it's happy I'll be, On the road to Drumleman that winds to the sea. For we sat by the fire while the winter winds blew And we laughed and we sang till the night was well through And we had a good dram and a wee cup o' tea On the road to Drumleman that winds to the sea. And the long summer days when we climbed the hills o'er To spend hours in the fields over Aran's wild shores The soft summer's twilight bid shadows to flee On the road to Drumleman that winds to the sea. These days passing swiftly bring changes I know And time marches on from this place we must go But I'll ever remember as the heart beats in me, The road to Drumleman that winds to the sea. The road to Drumleman that winds to the sea.
2.
Here stands a couple and they join hearts and hands He wants a wife and she wants a man Soon they will get married if they can agree They'll march on down to old Tennessee and married they shall be Chorus: Dance all night, fiddle all day (3X) That's the soldier's joy they say Here I stand on Buttermilk Hill Who could blame me cry my fill Every tear could turn a mill Johnny has gone for a soldier...Chorus Where have all the flowers gone Where have all the flowers gone Where have all the flowers gone Long time passing...Chorus Grapeshot and musket and cannons lumber loud There's many a mangled body, a blanket for a shroud There's many a mangled body left on the fields alone I am a lonely soldier so far from my home...Chorus You are your momma's darling boy You are your momma's darling boy You are your momma's darling boy So play that tune called "Soldier's Joy" Instrumental Here stands a couple and they join hearts and hands He wants a wife and she wants a man Soon they will get married if they can agree They'll march on down to old Tennessee and married they shall be...Chorus
3.
The blackest crow that ever flew would surely turn to white If ever I prove false to you bright day would turn to night Bright day would turn to night my love, the elements would mourn If ever I prove false to you the seas would rage and burn I wish my heart were made of glass, wherein you might behold That there your name was written dear, in letters made of gold In letters made of gold my love, believe me when I say You are the only one for me, until my dying day Instrumental The blackest crow that ever flew would surely turn to white If ever I prove false to you bright day would turn to night Bright day would turn to night my love, the elements would mourn If ever I prove false to you the seas would rage and burn
4.
I never have seen the face of my savior But serving him has been such a thrill I never have seen the gates to the city But one day, one day I will Chorus: One day I’m gonna walk on the streets of pure gold And they tell me that half has never yet been told I’ll be united with my loved ones on Zion’s holy hill But one day, one day I will Since the day I first met him He has been all to me And my life with his joy he has filled And I’m longing for the day When my eyes will behold him But one day, one day I will…Chorus Instrumental I never have seen the face of my savior But serving him has been such a thrill I never have seen the gates to the city But one day, one day I will...Chorus Oh, one day, one day I will
5.
I’m told that we’ll meet them on the other shore Oh, what do we know? Is waiting until then worth waiting for? Oh, what do we know? I disregarded good advice and fell in love Oh, what do we know? When confidence and friendship may have been enough Oh, what do we know? instrumental I wonder if it’s possible to love too great Oh, what do we know? I know i’d rather love this way than love too late Oh, what do we know? It’s seldom smart to get attached (It’s not supposed to end like that) But if you do then you’ll discover what it means To be...one’s lover
6.
Single girl, single girl, she's going dressed so fine Oh, she's going dressed so fine Married girl, married girl, she wears just any kind Oh, she wears just any kind Single girl, single girl, she goes to the store and buys Oh, she goes to the store and buys Married girl, married girl, she rocks the cradle and cries Oh, she rocks the cradle and cries Instrumental Single girl, single girl, she's going where she please Oh, she's going where she please Married girl, married girl, a baby on her knees Oh, a baby on her knees
7.
I'm going down to the river of Jordan Oh, yes, I'm going down to the river of Jordan Some of these days (hallelujah) I'm going down to the river of Jordan I'm going down to the river of Jordan some of these days I'm gonna eat at the welcome table Oh, yes, I'm gonna eat at the welcome table Some of these days (hallelujah) I'm gonna eat at the welcome table I'm gonna eat at the welcome table some of these days Instrumental I'm gonna sing in the heavenly choir Oh, yes, I'm gonna sing in the heavenly choir Some of these days (hallelujah) I'm gonna sing in the heavenly choir I'm gonna sing in the heavenly choir some of these days I'm gonna put on silver slippers Oh, yes, I'm gonna put on silver slippers Some of these days (hallelujah) I'm gonna put on silver slippers I'm gonna put on silver slippers some of these days Instrumental I'm gonna sit down by my Jesus Oh, yes, I'm gonna sit down by my Jesus Some of these days (hallelujah) I'm gonna sit down by my Jesus I'm gonna sit down by my Jesus some of these days
8.
A cowboy’s life is a mighty hard life, Riding through heat and through cold. But I wouln’t trade all my cowpunching days For all of old Midas’ gold There’s horses to break and rustler’s to fight And deserts that will make you turn pale. But there’s plenty of fun for the son of a gun Who can sing and be gay on the trail Chorus: ky-i, ky-ipe, ky-ipe, ky-o repeat We round up the dogies and drift them along, Corral them all over the plain. We rope them and brand them and doctor the bulls, And we turn them out loose on the range At night when the dogies are dreaming about Cows headed all over the plain, The night riders sit in their saddles and sing From the dark ‘til the dawn of the day…chorus Instrumental When Saint Peter calls us to come to his plain And herd the wild cattle up there. I hope all the boys who have rode the long range Will come when he gives them a dare I want a good horse that can run a fast race, A crew that don’t care where we go. We’ll ride away off to some desolate place And sing ky-ipee, ky-o…chorus
9.
In the quiet of the cellar, in the farthest of rooms She sits at her loom and she weaves The mold and the laundry, they mingle a scent As she sits at her loom and she weaves Above and around, the family is stirring She hears footsteps and voices as she weaves The cotton, the linen, the wool and the silk The feel to her fingers as she weaves Blue, red, green and brown, deep lavender and yellow The look to her eyes as she weaves The littlest is crying, the others are fighting She hopes they can manage as she weaves Big pot on the stove needs the burner turned low The children need rides and she weaves She winds up the warp and covers the loom Shuts the door, turns around, and she leaves As she climbs up the stairs, she thinks wool, she thinks color She can't wait to come back to weave In the quiet of the cellar, in the farthest of rooms That's where you might find her As she sits at her loom and she weaves
10.
Sweet Fern 04:13
Springtime is coming, sweet lonesome bird Your echo in the woodland I hear Down in the meadow so lonesome you are singing While the moonlight is shining so clear I know he's away in a far distant land A land that is over the sea Go fly to him singing your sweet little song; And tell him to come back to me Chorus: Sweet Fern! Sweet Fern! Oh tell me is my darling still true Sweet Fern! Sweet Fern! I'll be just as happy as you. Yo-de-lay, yo-de-lay-he Yo-de-lay, yo-de-lay-he-he Yo-de-lay, yo-de-lay-he Oh tell me sweet Fern, is he thinking of me And the promise he made long ago He said he'd return, from over the sea Oh why do the years roll so slow I know he's away in a far distant land A land that is over the sea Go fly to him singing your sweet little song And tell him to come back to me Instrumental Yo-de-lay, yo-de-lay-he Yo-de-lay, yo-de-lay-he-he Yo-de-lay, yo-de-lay-he Upon my finger he placed a small ring On the day he was leaving his home I promised I'd be his own dear little girl And I'd love him wherever he roamed But I know he's away in a far distant land A land that is over the sea Go fly to him singing your sweet little song And tell him to come back to me!...Chorus Yo-de-lay, yo-de-lay-he Yo-de-lay, yo-de-lay-he-he Yo-de-lay, yo-de-lay-he
11.
Quiet Sky 03:43
Such a perfect day, in a perfect month Such a blue, blue sky It's my favorite time of the year What a lovely place, what a lovely garden Such a blue and quiet sky The pumpkins are ready and they're lying on their sides When a week had passed, he said, "You must get dressed. The best thing we can do, is go on with our work." And so he took his rake, and he headed for the garden He said, "The harvest won't wait and there's still beauty everywhere". Such a perfect day, in a perfect month Such a strange and quiet sky The pumpkins are ready and they're lying on their sides
12.
Fare thee well My own true love Farewell for a while I'm going away But I'll return If I go 10,000 miles 10,000 miles My own true love 10, 000 miles or more And the rocks may melt And the seas may burn If I no more return Oh, can't you see Yon lonesome dove Sitting on yon ivy tree She's weeping for Her own true love As I will weep for mine Oh, come back My own true love And stay a while with me For if I had a friend All on this earth Then you'd be that friend to me, my dear Oh, come back My own true love And stay a while with me For if I had a friend All on this earth Then you'd be that friend to me, my dear You'd be that friend to me You'd be that friend to me

about

THE BLACKEST CROW (2004)
The Blackest Crow is a treasury of traditional American and Celtic folk songs, as well as original pieces.

In their ongoing quest as gatekeepers of traditional folk music and dance, Aubrey and Elwood treat their life's work as a rescue mission: finding old songs, writing new songs, and as always, giving voice to the quiet. The songs were collected during many years of performing throughout Appalachia, as well as other places in the United States where traditional folk music still melds with daily life.

credits

released May 9, 2004

Aubrey Atwater and Elwood Donnelly on guitar, mountain dulcimer, old-time banjo, tin whistle, mandolin, harmonica, bones, bodhran, wooden spoons, and feet.
Cathy Clasper-Torch on fiddle.
Uriah Donnelly on piano.

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Atwater-Donnelly Warren, Rhode Island

Aubrey Atwater and Elwood Donnelly, present delightful programs of traditional American and Celtic folk songs, a capella pieces, old-time gospel songs, dance tunes, and original works, blending gorgeous harmonies with guitar, Appalachian mountain dulcimer, mandolin, tin whistle, harmonica, banjo, bones, spoons, limberjacks, and Appalachian clog dancing and French Canadian footwork. ... more

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