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Each Other's Story 2011

by Original Songs by Aubrey & Elwood

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    EACH OTHER’S STORY (2011)
    Here is an interesting blend of genre: a collection of original songs spanning 30 years in the careers of Aubrey Atwater and Elwood Donnelly, with a bonus track of a song Elwood wrote in 1966. Some were previously recorded, and on those we’ve added more instruments and voices.

    Thanks to all the fine musicians who added immeasurable depth and warmth to this recording, to whom Aubrey and Elwood are forever grateful: Cathy Clasper-Torch on violin, cello, piano and vocals; John Cerrigione on bass; Heidi Cerrigione on autoharp; Kevin Doyle on percussion; Paul Dube on accordion; Morgan Santos on cello; and Alex Krepkikh on harmonica and tambourine.

    Also thank you to the musicians who were with us during the original recording of some of these songs: Everett Brown on piano accordion; Steve LaValley on djembe; Rick McKinney on mandolin; Cari Norris on guitar and vocals; and Lisa Schmitz on guitar and vocals.

    Includes unlimited streaming of Each Other's Story 2011 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
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  • Full Digital Discography

    Get all 14 Atwater-Donnelly releases available on Bandcamp and save 10%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Boat You Row Atwater-Donnelly 2022, The World Is Old Tonight, Each Other's Story 2011, The Weaver's Bonny 2009, The Halfway Ground 2007, When Winter Calls 2005, The Blackest Crow 2004, And Then I'm Going Home 2001, and 6 more. , and , .

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1.
I'd like to get to know you better Right now it's speculation and wishful thinking We assume so much Until it's pretending we know [each other's story] {3X in last verse} I've been - knowing You've been - growing 1 -Today we're gonna say it all What was it like when you were seven Why in the world don't we banter informal the boy that I knew I don't like pretending we know each other's story I've been - knowing You've been - growing 2 -Today we're gonna change it all It's many times I wonder Is it gradual absorption or deliberate learning As simple as that When it grabs my attention, I know each other's story I've been - knowing You've been - growing 3- Do we even need to speak at all I only want to know you better… I've been - knowing You've been - growing 1 -Today we're gonna say it all 2 -Today we're gonna change it all 3- Do we even need to speak at all
2.
I'm Too Busy 03:44
The wind blows strong but gently And snow covers the ground And leaning on my windowsill I see it coming down I'd really love to linger Watch my breath fog up the pane But I've got laundry, and this report to do And I really can't stay Chorus: I'd like to have some spaces Between my thoughts at times Little blank pages or flat plains would be fine I'd like a stretch machine to loosen up my brain Blue sky between my ideas Like a lean-to in the rain I wish I had the time To look long into your face And reach beyond domestic chat That takes up so much space We have so little time What with work, the kids, the house That when we finally get to us We're snoring on the couch...Chorus I think about those coffee shops Near Wickenden and Brook Where people go to meet and talk And some go to read books And I would like to do that And one day I'll find the time To sit me down with a cup And the luxury of my mind...Chorus
3.
Pity Undue 05:33
There's hope in the gutter, I certainly know I've been there myself, Downtrodden and low We try to recover But we land on our backs And the rest of the family Has slipped through the cracks Well, somebody told me That you're working for pay But your health is declining So you'll quit any day They said you'd be leaving Before you get old And your bills total more Than the house that you sold Chorus: Oh, it's a pity undue, The hardship that's fallen On people like you And oh, it's a pity to see What little is accomplished By people like me Well, people don't worry There's more to this life Than struggling for honor As mother and wife You've nothing to prove That you've not proven yet The kettle is boiling; the table is set Well, someday we'll show them, If we all don't die first That the world they're creating Gets progressively worse When they choose to exclude some And keep others in check Their mindless injustice Will fall on their necks…Chorus
4.
My lover has no name No body; no predictable game Try and try as I might to grasp her ways She eludes me everytime Some days are smooth, harmonious and fine And others; it's like I'm walking a line Of frustration and discord and wheels off the track All that I get, she takes right back Chorus: Cause my lover has no name No body; no predictable game Try and try as I might to grasp her ways She eludes me every time Instrumental In my room the coffee cup's cool Balls of paper strewn all around It's an off day; she's lying so smug on the floor The strings need changing and my fingers are sore…Chorus
5.
It's the saddest thing; this I know To leave me standing here Your parting words will bring me woe If I live a hundred years OH…OH….OH…..OH There's a wicked wind that follows you And shake it though you try You're ill-equipped and can't undo The damage you deny OH…OH….OH…..OH And when my time on Earth is through I'll still be by your side This goodbye wish I'll send to you That kindness be your guide Still I'll always wonder what became of you Repeat first verse
6.
I'd like to tell you now That everything's okay The children are asleep in their beds The downstairs lights are off And both the doors are locked The cars are safely parked for the night Chorus: Another day, another life, another week And we are in our bed so warm and clean I put my hand on your hair and tell you that Right now, right here, this time Everything's all right Setting my alarm, I think that these are precious times when everything's okay No loss, no hospital, no accident, no fight No fire, no scare, no phone calls in the night…Chorus
7.
Chorus: Wherever you go; that's where I go Whenever we go; we go together Wherever you are; that's where I am Wherever we are; we are together There are many years and roads behind me Ask me and I'll tell what I recall But only when we met did I find me And sure as I can breathe, you're the best of all Do you remember what you told me, darling That if I ever left you- you'd want to come along Well, like the chick-a-dees and the starlings We'll share sunflower seeds and sing each other's songs…Chorus I just knew that we would one day marry You've been generous and thoughtful through the years Your love for me is what I carry To somehow help me manage to drive away my cares Break=Chorus If there was ever any doubt of our devotion It vanished like the waning of the moon If we continue in this state of motion What we don't have yet will surely turn up soon. Do you remember what you told me, darling That if I ever left you- you'd want to come along Well, like the chick-a-dees and the starlings We'll share sunflower seeds and sing each other's songs…Chorus Tag: Wherever we are; we-are together
8.
In the quiet of the cellar, in the farthest of rooms She sits at her loom and she weaves The mold and the laundry, they mingle a scent As she sits at her loom and she weaves Above and around, the family is stirring She hears footsteps and voices as she weaves The cotton, the linen, the wool and the silk The feel to her fingers as she weaves Blue, red, green, and brown, deep lavender and yellow The look to her eyes as she weaves The littlest is crying, the others are fighting She hopes they can manage as she weaves Big pot on the stove needs the burner turned low The children need rides and she weaves She winds up the warp and covers the loom Shuts the door, turns around, and she leaves As she climbs up the stairs, she thinks wool, she thinks color She can't wait to come back to weave In the quiet of the cellar, in the farthest of rooms That's where you might find her As she sits at her loom and she weaves
9.
I try to say what's on my mind To keep my head from burning You're calling me on the telephone Too much in the morning You know I like to be alone Read the morning news, and think I came this far away to change So move aside and let me try These wings that I've been given This is my time in open fields I hope you understand
10.
I'm told that we'll meet them on the other shore Oh, what do we know? Is waiting until then worth waiting for? Oh, what do we know? I disregarded good advice and fell in love Oh, what do we know? When confidence and friendship would've been enough Oh, what do we know? I wonder if it's possible to love too great Oh, what do we know? I know I'd rather love this way than love too late Oh, what do we know? It's seldom smart to get attached (It's not supposed to end like that) But if you do then you'll discover What it means to be...one's lover
11.
S'il Vous Plaît, ecoutez ma chanson Et vous compredrez Il y a une femme dans ma ville Elle est debout Au coin de la rue Dans le seuil d'une porte D'une construction abandonee Elle est jeune comme moi Mais elle est folle Elle porte des chiffons Des sacs de plastique Autour de ses pieds si gonfles Et quand on la passé On se demande Pourquoi nous sommes tous ici On voit ses yeux qui regardent Attentivement, un monde insense Pres du seuil d'une porte D'une construction abandonee En hiver elle a froid Mais elle rejete tous les vetements Que les gens dans la ville lui offrent Parce qu'elle prefere porter Ses propres vetements Salles, dechires, insuffisants Elle est morte aujourd'hui Morte de froid De faim, d'epuisment De la manqué de l'amour and des amis Et personne ne vienne Quand elle est morte Personne ne s'est soucie Et quand je passe la porte Vide au coin de la rue Je me demande pourquoi Je suis S'il Vous Plaît Avez-vous ecoutez ma chanson? Maintenant vous comprenez Translation Please, listen to my song and you will understand There is a woman in my town; she stands on the corner of the street In the threshold of the door of an abandoned building She's young like me, but she's crazy She wears rags; plastic bags around her swollen feet And when you pass her you ask yourself, 'why we are all here?' See her eyes that watch attentively, a nonsense world Near the threshold of the door of the abandoned building In the winter she's cold but she refuses all the clothes That the people in the neighborhood offer her Because she prefers to wear her own clothes Dirty, torn and insufficient She died today; died of cold – of hunger, exhaustion Of the lack of love and friends And nobody came when she died; nobody seemed to care And now when I pass that doorway Empty on the corner of the street I ask myself why I am Please, did you listen to my song? Now you understand.
12.
Forgiveness 04:50
He never told her he loved her Leastwise while I was around Well he seldom spoke, but his message was clear And besides he could hardly be found And he held the privilege of power, While she circumvented his will Each day a challenge, and a chance to gain ground Never quite conquering still Chorus: There's a hole in his heart, where love should have been And I don't think it'll ever be filled There's a hole in his heart, where love could have been, instilled Look all around you; your destiny taunts you You never had even the slightest of chances Had you foreseen what would be your lean portion Could you have even improved circumstances It's mostly behind you now; see the result You're standing within while he wanders without. And he never asked for forgiveness Though I'm sure he wishes he did Cause there's a hole in his heart Where love should have been When I was his loyal young kid…Chorus
13.
Well on a good day, you can see very far, Just drive up high and get out of your car. On 77 or 460, just look and the view then look at me Chorus: Oh the hills of West Virginia are green and lush, And I go to hear the music One small mountain after another, pushes out of the earth They're falling over each other, like children, except look over there It must be an apparition, in the distance, a mesa Strip mining has left one hill naked, and oddly flat...Chorus When I go to West Virginia, I don't say much Years ago my people owned mines in the Pocahontas coal field Well you might say now what's all the fuss And why do I say I don't say much But I wouldn't call parts of two states a "field"…Chorus Instrumental Now the stripped land, the faces, the sickness, The unemployment tell me too much And all that happened all of those years was before my time…Chorus I was raised well in a New England town, And educated at expensive schools Our lives were warmly heated By the coal transported by ship from West Virginia By the coal transported by ship from West Virginia By the coal transported by ship from West Virginia And on a good day, you can see very far, Just drive up high and get out of your car. On 77 or 460, just look at the view then look at me Look and the view then look at me, Look and the view then look at me
14.
It's hard when all your friends are gone You've lived so late and for so long It's hard to only have the young for friends and consolation Here in my soft, white downy chair I think of my house and my land out there I remember the pebble roads We had horses before the cars came And in the Springtime I'll be ninety-one I've lived so long; my work is done I've seen so much; I's time to move on This land has been in the family for seven generations I was twenty in the first World War In town we had a single store And now it seems I've lived so long I've seen four wars and a son die young Kids raised in front of the TV Computers at the bank In the Springtime I'll be ninety-one I've lived so long; my work is done I've seen so much; I's time to move on Instrumental Now, I see myself in this shadowy room The winter sun will be setting soon I'm smaller than I used to be And my face no longer looks like me I have so little energy To do the things I've always loved I'm alone in this old house The young are too busy In the Springtime I'll be ninety-one I've lived so long; my work is done I've seen so much; I's time to move on It's hard when all your friends are gone You've lived so late and for so long It's hard to only have the young for friends and consolation
15.
Peace will come later, at best Find yourself comfort, and rest for awhile As you empty your pockets again with a smile With hope that you'll manage to win the world over Believing in miracles time and again And you sit back and hope that the world will keep changing But it never changes, just people do Follow your vision, my friend Look to the future and then realize As you tug on your heartstrings and tears fill your eyes Compassion will carry us over the hard times And miracles find us while we're asleep And we'll wake up together with hope in our pockets And wonder what took us so long to believe Peace will come later, at best Find yourself comfort, and rest for awhile As you empty your pockets again with a smile With hope that you'll manage to win the world over Believing in miracles time and again And we'll wake up together with hope in our pockets And wonder what took us so long to believe And you sit back and hope that the world will keep changing But it never changes, just people do Beginning with you
16.
The Melt 04:53
It's as if the sun is running on the ice and snow That have turned dirty and old There are newspapers and cans stuck into the banks And the water is drifting away It's trying to escape I'm frightened to see what the melt will show After the long cover of filth and despair But the rising February sun Is here to begin the jubilant dance of Spring It's as if the sun is running on the ice and snow That have turned dirty and old There are newspapers and cans stuck into the banks And the light will shine on the faces Of the half-rotted people who are hidden Like the dirt and the litter Under the frozen layers of city snow But the rising February sun Is here to begin the jubilant dance of Spring Instrumental Oh, the rising February sun Is here to begin the jubilant dance of Spring The rising February sun Is here to begin the jubilant dance of Spring The rising February sun Is here to begin the jubilant dance of Spring...
17.
I'm going to sing you this song Even though I don't know all the words That never stopped me before Even so, I don't know all the words You won't be laughing when it is done And you won't be joking or poking at fun But I'm going to sing you this song Until my sorrow is gone Until my sorrow is gone I'm going to write you some prose Even though you won't know that I do That never stopped me before Even so, you won't know that I do You won't consider the words that I write And you won't be tactful or act so polite But I'm going to write you some prose Until my pining is through Until my pining is through Sing me a song I don't care if you know all the words Read me your prose I'm aware of your problem with words You were the reason that living was fun And you gave me hope when I knew there was none So I'll always be close at hand Until your sorrow is gone Until your pining is through I'm going to sing you this song (Sing me a song) Even though I don't know all the words (I don't care if you know all the words) That never stopped me before (Read me your prose) Even so, I don't know all the words (I'm aware of your problem with words) You won't be laughing when it is done (You were the reason that living was fun) And you won't be joking or poking at fun (And you gave me hope when I knew there was none) But I'm going to sing you this song (So I'll always be close at hand) Until my sorrow is gone (Until your sorrow is gone) Until my pining is through (Until your pining is through)
18.
Silver Foxes 03:38
It's lonely out here on this cold Autumn night The leaves rush around me in a fearful flight There used to be a lot of us roaming these hills Our silvery tails illuminate still And in the moonlight we search for the remaining few Too scared to stay still We run through the dewy fields We run through the dewy fields Instrumental It's lonely out here on this cold Autumn night The leaves rush around me in a fearful flight There used to be a lot of us roaming these hills Our silvery tails illuminate still And in the moonlight we search for the remaining few Too scared to stay still We run through the dewy fields We run through the dewy fields We run through the dewy fields...
19.
Quiet Sky 03:48
Such a perfect day, in a perfect month Such a blue, blue sky It's my favorite time of the year What a lovely place, what a lovely garden Such a blue and quiet sky The pumpkins are ready and they're lying on their sides When a week had passed, he said, "You must get dressed. "The best thing we can do, is go on with our work." And so he took his rake, and he headed for the garden He said, "The harvest won't wait and there's still beauty everywhere." Such a perfect day, in a perfect month Such a strange and quiet sky The pumpkins are ready and they're lying on their sides
20.
Sorry; we don't have complete lyrics for this one. Keep checking back though; I might be able to remember them all in the future.

about

EACH OTHER’S STORY (2011)
Here is an interesting blend of genre: a collection of original songs spanning 30 years in the careers of Aubrey Atwater and Elwood Donnelly, with a bonus track of a song Elwood wrote in 1966. Some were previously recorded, and on those we’ve added more instruments and voices.

credits

released May 9, 2011

Thanks to all the fine musicians who added immeasurable depth and warmth to this recording, to whom Aubrey and Elwood are forever grateful: Cathy Clasper-Torch on violin, cello, piano and vocals; John Cerrigione on bass; Heidi Cerrigione on autoharp; Kevin Doyle on percussion; Paul Dube on accordion; Morgan Santos on cello; and Alex Krepkikh on harmonica and tambourine.

Also thank you to the musicians who were with us during the original recording of some of these songs: Everett Brown on piano accordion; Steve LaValley on djembe; Rick McKinney on mandolin; Cari Norris on guitar and vocals; and Lisa Schmitz on guitar and vocals.

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Atwater-Donnelly Warren, Rhode Island

Aubrey Atwater and Elwood Donnelly, present delightful programs of traditional American and Celtic folk songs, a capella pieces, old-time gospel songs, dance tunes, and original works, blending gorgeous harmonies with guitar, Appalachian mountain dulcimer, mandolin, tin whistle, harmonica, banjo, bones, spoons, limberjacks, and Appalachian clog dancing and French Canadian footwork. ... more

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